sinecine ISSN: 1309-5838

Underground as an Example of Adaptation

Abstract

In this study, beyond judgments of loyalty or betrayal when comparing an adaptation of a source text with the original or soul of the source text, Yeraltı (Underground, Zeki Demirkubuz, 2012), adapted from Dostoyevsky’s Notes from Underground (2012/1864), is analyzed in light of Bakhtin’s concepts, such as chronotope, dialogism, and carnival, which allow one to take into account the similarities and differences between different media and materials of expression. In addition, the study evaluates narrative, thematic, and cinematographic elements during the transfer from novel to film and examines the relationship between an adaptation and its social and political context. The aim of the study is to investigate what kind of discourse Demirkubuz has produced through his narrative, thematic, and cinematographic preferences while adapting the novel, which is a social-satirical text criticizing the values of enlightenment, the class-stratified society of the period, and the alienated individual. The study also examines the meaning of differentiated elements in the film in relation to social power, moral authority, and the society-individual relationship.   

Keywords: Underground, Bakhtin, adaptation, intertextuality, dialogism, chronotope, carnival.

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